Nikon Af-s Nikkor 14-24mm F/28g Ed Lens Reviews
Summary
If you want or need an ultra-wide-bending zoom for your FX-body that delivers the highest performance with a professional build and a abiding f2.eight aperture there's only one choice: The Nikon AF-South 14-24mm f2.8G! Good points: Good to excellent quality across the FX image-circle; conditions sealing; quiet and fast AF operation; sturdy build quality. Bad points: Decumbent to flare; no filter-thread; high price; pocket-sized zoom range.
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Check prices on the Nikon 14-24mm f2.8 K at Amazon, B&H, or Adorama, or Park Cameras. Alternatively go yourself a copy of my In Camera book or care for me to a java! Thanks!
Nikon 14-24mm f2.8G review -
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Intro
The AF-S Nikkor 14-24mm f2.eight is an ultra-wide angle zoom designed for total-frame FX-format Nikon DSLRs. Announced in 2007, alongside the AF-S Nikkor 24-70mm f2.8, it delivers a unique combination of ultra-broad coverage, fast and abiding focal ratio, pro build quality and superb results which has deservedly seen it become one of the near desirable and successful high-cease lenses of any system.
It's no exaggeration to say the Nikkor 14-24mm has driven many professional landscape and architectural photographers to the Nikon system, and even converted many from rival formats. This is not merely the lens that many Nikon owners desire, just the model that'south responsible for countless Canon owners looking into adapters and clutching onto every rumour that a similar model may be under development for the EF mount.
So yous already know it's very good, but since 2007 in that location's been a number of alternatives launched, including two from Nikon, offer such temptations equally broader ranges, optical stabilization and lower price tags. Then the big question is just how practiced is the Nikkor 14-24mm, and six years afterward its launch, should it still exist the wide zoom that FX owners aspire to? To find out I tested it on Nikon's highest resolution full-frame DSLR, the D800, for my in-depth review!
Facts from the catalog
As usual I'll have a wait at the technical data beginning. I've rated the features with a [+] (or [++]), when it's meliorate than average or even state of the art, a [0] if it's standard or just average, and [-] if there'southward a disadvantage.
Size (diam. ten length): 98 10 132 mm (three.9 x five.2 in). The lens-hood is congenital in and not collapsible. Information technology protects the bulging front lens in combination with a not-standard front-lens cap that merely slots over the lens-hood and held (surprisingly effectively) by friction. [0]
Weight: 1,000 m (35.3 oz.). This is a massive wide-angle lens and together with a full frame body you lot'll be schlepping 1.8kg effectually. [0]
Eyes: xiv elements in 11 groups. That's pretty depression in comparison but still: 11 groups have 22 air/glass-surfaces that produce a lot of opportunities for flares and ghosts. Nikon has practical their special Nano Crystal Glaze on one chemical element. We'll come across how this works out in practice as wide-angle lenses are extremely prone to internal reflections. The cross-section shows a lot of special elements: three aspherical and 2 actress-low dispersion elements. [0]
Closest focus altitude/max. magnification: 0.28 m (0.9 ft.) / i:half dozen.7. In my examination I was able to confirm this. At closest focus distance objects are simply 10 cm abroad from the lens-hood. [0]
Filter-thread: No filter-thread at all. Then if you want to use physical filters, you lot'll need to invest in a third party solution which attaches to the terminate of the barrel, such as the Lee SW150 organisation. This adds significantly to the overall size and is not a coincidental purchase – simply then neither is the 14-24mm. [-]
Image stabilization: No, but this is almost irrelevant with such short focal lengths. To be off-white, there'southward likewise very few ultra-wide zooms with optical stabilisation for any system beyond Nikon'southward 16-35/4.0G VR and Sony's x-18mm f4 for NEX. [0]
Car focus: AF-S with SWM (silent wave motor), so information technology does work on D60/iii×00/5×00-bodies, transmission-focus override by turning the focus ring [+]
Covers total frame/FX or smaller = very good [+]
Cost: around 1600 EUR new (incl. xix% VAT) = expensive. But there's no comparable alternative. [0]
Comes with a very squeamish semi-soft lens-case that is well padded, rear and front lens-cap are included. [+]
Distance information is relayed to the camera, so the Nikon body can do all the advanced exposure-related stuff with this lens. But this is true for all alternatives also. [+]
Discontinuity band = no, just like all competitors. [0]
Sealing: aye! A rubber grommet at the lens-mount. [+]
The score in the "features-department" is one[-]/vii[0]/5[+]. The minus-point being the missing filter thread. All-in-all the feature set does not look too exciting, with the exception of the optical formula: 14-24mm f2.8. If the lens tin deliver a fine optical performance this would put it in a unique one-of-a-kind position on the market.
Alternatives
– There's the Sigma AF 12-24mm 4.five-five.6 2 DG HSM. Information technology goes wider even than the insanely wide Nikon fourteen-24mm but it is pretty dark: a maximum aperture of f4.5 on the wide end and if you zoom in you lot become 2 stops behind the Nikon pretty quickly. You can find it for beneath 800 EUR which makes it the cheapest of the alternatives.
– Then there's the Tokina AT-X Pro 16-28mm 2.8 FX starting only at 16mm just reaching 4mm longer at the long terminate. Interestingly this lens looks well-nigh like a copy of the Nikon from the outside. Starts at 800 EUR.
– And y'all tin can get for Nikon'due south ain AF-S VR 16-35mm 4.0G ED: lose 2mm on the wide end but proceeds near 50% more accomplish on the long finish. This might well be an attractive trade-off and the lens also offers image-stabilization which is a curiosity on such a wide-angle zoom. Simply it only has a maximum discontinuity of f4.0. Information technology is also the near expensive culling at around yard EUR merely it is however comfortably cheaper than the Nikon 14-24/2.8.
Notation if you're a DX owner who intends to stick with the cropped format, I'd recommend the Nikkor DX ten-24mm zoom instead. It may not exist equally professional person a lens, but it will deliver ultra-broad coverage. Then once again if you're a DX owner who'due south thinking of going full-frame, and then the xiv-24mm, non to mention the others mentioned above, become options with future-proofing – just think all lenses you mount onto a DX trunk volition accept their coverage finer reduced by 1.5 times, making an ultra wide lens less wide.
Focus and build quality
Focus accuracy and repeatability is disquisitional to consistently produce sharp shots. Repeatability (the accuracy of focus on the same subject after repeated focus-acquisition) of this lens is splendid with no outliers over a series of twoscore shots. And there is no functioning variation whether the lens focuses from infinity or the minimum focus altitude. The lens focuses very fast: around 0.4 sec from infinity to 0.35m.
The focus ring has no slack or play and a throw of around l degrees, which is still plenty to make accurate focus wide open up at the long finish like shooting fish in a barrel. The focus band is easy to grip and motility is very smooth every bit is the zoom action. AF-operation is pretty quiet on the outside, simply if you record video with the built-in microphone every focus-movement produces an audible "clack". Shaking the lens besides produces some clunking audio. Only apart from that the general impression of build quality is that of a pro-level lens: A high quality metal/plastic construction combined with weather sealing and ix rounded aperture blades.
At present it'due south time to check out the results in my Nikon fourteen-24mm f2.8 quality and Nikon14-24mmf2.8 sample images pages, or if you'd like to skip to hunt, head straight for my verdict!
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Source: https://www.cameralabs.com/nikon_nikkor_af-s_14-24mm_f2-8g_ed/
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